Play Along Piano

Tags

coral

Stulta Auricula

1:02	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	20	0	6	96%
	13	7	0	6	95%
View all 4 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	14	20	6	96%
	13	7	6	95%
Baritonos Tenores	11	10	6	83%
Soprano	8	3	6	83%

Yo soy el pan de vida (I am the bread of life en español)

Stulta Auricula

1:45	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	4	0	7	98%
	15	2	0	6	91%
View all 8 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	11	4	7	98%
	15	2	6	91%
Flauta	15	3	7	97%
Oboe	15	0	7	73%
Alto	7	0	6	72%
Tenor	8	0	6	72%
Baritone	11	0	6	61%
Soprano	7	0	5	47%

Sibylla Samia

Redston1

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	30	6	8	98%
	18	22	5	8	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	30	6	8	98%
	18	22	5	8	100%
Alto	12	0	4	6	100%
Bass Clarinet	12	0	4	8	100%
Soprano	10	0	3	8	100%
Tenor	12	0	4	8	100%
Viola	12	1	4	8	100%
Violin	11	4	3	8	100%
Violoncello	14	1	5	8	100%
B♭ Clarinet	17	30	6	8	98%
Bass	12	0	1	8	93%
Contrabass	11	1	2	8	93%

Gloria in Excelsis Deo (Juan Esquivel)

Stulta Auricula

1:05	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	3	6	100%
Barítono	12	0	2	5	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	3	6	100%
Barítono	12	2	5	96%
Alto	9	1	5	93%
Soprano	12	3	5	89%

Con que la lavare? (Anónimo s. XVI)

Stulta Auricula

0:56	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Barítono	11	0	0	5	96%
Alto	10	0	1	6	89%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Barítono	11	0	5	96%
Alto	10	1	6	89%
Tenor	10	0	5	89%
Soprano	9	1	5	82%

"Tan cerca de mi" (Cesáreo Gabaráin)

Stulta Auricula

0:48	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	11	5	3	100%
	13	0	2	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	11	5	3	100%
	13	0	2	2	100%
Bajo eléctrico	10	0	1	6	90%
Soprano	11	0	1	9	80%
Flauta	12	0	1	7	60%
Barítono	8	0	0	5	40%
Tenor	6	0	2	7	40%
Alto	6	0	0	6	30%

"La misa es una fiesta" (Cesáreo Gabaráin)

Stulta Auricula

0:54	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	20	7	3	100%
	17	1	5	3	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	20	7	3	100%
	17	1	5	3	99%
Flauta	10	0	0	4	100%
Bajo eléctrico	11	0	1	4	93%
Soprano	9	0	0	4	86%
Alto	8	0	0	4	84%
Barítono	8	0	1	4	66%
Tenor	11	0	1	4	66%

"Ven ven Señor no tardes" (Cesáreo Gabaráin)

Stulta Auricula

1:12	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	1	3	75%
	7	3	0	2	75%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	1	3	75%
	7	3	0	2	75%
Bajo eléctrico	6	0	0	4	100%
Guitarra eléctrica	11	5	0	4	88%
Alto	8	0	0	5	67%
Soprano	9	0	0	5	67%
Barítono	9	0	0	5	58%
Tenor	6	0	0	5	58%
Flauta	9	8	0	5	22%

"Hoy te quiero cantar" (Cesáreo Gabaráin)

Stulta Auricula

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	8	3	5	98%
	17	2	2	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	8	3	5	98%
	17	2	2	6	100%
Bajo eléctrico	14	0	2	3	100%
Alto	7	0	0	5	85%
Barítono	10	0	0	5	85%
Soprano	8	0	0	5	85%
Tenor	12	0	1	5	85%

"Cancion de juventud" (Cesáreo Gabaráin)

Stulta Auricula

1:19	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	15	2	3	100%
	12	7	0	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	15	2	3	100%
	12	7	0	3	100%
Alto	11	0	2	6	85%
Soprano	9	0	0	6	85%
Bajo eléctrico	11	0	0	6	76%
Flauta	12	0	0	5	76%
Barítono	12	1	0	6	70%
Tenor	11	0	0	6	67%

"Creo en Jesús" (Carmelo Erdozáin)

Stulta Auricula

1:24	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	14	0	6	98%
	13	10	1	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	14	0	6	98%
	13	10	1	6	98%
Bajo eléctrico	11	0	1	4	100%
Barítono	12	1	1	6	86%
Tenor	10	0	0	6	86%
Alto	8	0	0	5	81%
Soprano	7	0	0	5	81%
Flauta	11	0	1	5	71%

"Iglesia somos" (Cesáreo Gabaráin)

Stulta Auricula

1:01	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
Bajo eléctrico	11	0	0	3	100%
Alto	9	0	0	4	58%
Soprano	11	0	0	4	58%
Barítono	12	0	0	5	46%
Tenor	9	0	0	4	46%
Flauta	11	0	0	4	38%

"Alegre la mañana" Juan Antonio Espinosa

Stulta Auricula

0:42	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	1	7	98%
	15	0	2	8	95%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	7	98%
	15	2	8	95%
Bajo eléctrico	8	0	4	95%
Alto	8	0	7	86%
Soprano	7	0	7	86%
Barítono	5	0	7	55%
Tenor	8	1	7	55%